Villa Rica's rural location allowed Dorsey to hear slave spirituals, and "moaning" a style of singing marked by elongated notes and embellishments widespread among Southern black people alongside the Protestant hymns his father favored. At their debut, Frye strutted up and down the aisles and sang back and forth with the chorus, and at one point Dorsey jumped up from the piano stool in excitement and stood as he played. Nierenberg centered his film around two pioneering gospel artists, Rev. Copyright 2003 The Faith Project, Inc. All rights reserved. Thereafter, he vowed to concentrate all his efforts in gospel music. 2015 NHD Thomas A Dorsey Documentary - by Adero Brooks He did not seek publicity, preferring to remain at his position as music director at the 3,000-seat Pilgrim Baptist Church and running his publishing company. After the death of a close friend, Dorsey was inspired to write his first religious song with a blues influence, "If You See My Savior, Tell Him That You Saw Me".[10][c]. However, both used their voices in very different ways-one chooses retribution and the other, engagement. ", Wade In The Water Ep. They pray for their ancestors and seek to heal the country's wounds of slavery through prayer vigils at historical slave sites. Nevertheless, imparting a bluesy feel to a traditional arrangement was shocking to many, though Dorsey was able to vary the effect depending on his audience and their reaction. Now at the center of gospel music activity in Chicago, Dorsey countered his bereavement by immersing himself in marketing his songs. Say Amen, Somebody (1982) - IMDb In doing so, he became one of the first musicians to copyright blues music. "Thomas Dorsey, Father of Gospel Music, Dies at 93". She also helped him with his publishing business, which quickly became so successful that people nationwide called any piece of gospel sheet music a "Dorsey.". Everything I do - that's good, at least - is a reflection of His hand. A tour group of 150 demanded he sing "Take My Hand, Precious Lord" right there. I realize the color barrier in the early days and say it's a shame folks couldn't understand him better.His music has helped me along in tough times and I appreciate all he has done in the world of gospel music. And they insisted; they pursued it nonetheless.". In actual fact, his first musical impact was as a blues stylist as both writer and performer. Dorsey soon began composing sacred songs and took a job as director of music at New Hope Baptist Church on Chicago's South Side, where he described the congregation's singing of spirituals "like down home," noting that the congregants also clapped to his music. Anthony Heilbut writes that "the few days following his death, 'Precious Lord' seemed the truest song in America, the last poignant cry of nonviolence before a night of storm that shows no sign of ending". I hope others will take the time to research the real facts and give Thomas A. Dorsey credit for his great Gospel works. They would tour together in the 1940s. The same thing acts for a gospel song. January 17, 2000 Sung at the funeral of Dr. Martin Luther King Jr., it is the most-recorded gospel song ever. Posters are sourced from TMDb and Posteritati, and appear for you and visitors to your profile and content, depending on settings. Thomas Andrew Dorsey (July 1, 1899 January 23, 1993) was an American musician, composer, and Christian evangelist influential in the development of early blues and 20th-century gospel music. "It's just a feeling within; you can't help yourself," Smith says in the film, describing the experience of singing gospel. He was demoted a grade and ostracized by the other children. Cecil Williams and Thomas A. Dorsey, born a generation apart, both seeking to bring the reality of the streets into the church. Mahalia Jackson sang at his funeral when King did not get to hear it. McLin remembered that her uncle was "soft-spoken, not loud at all, and very well dressed he always had a shirt and a tie and a suit, and he was always elegant, very mannerly, very nice. You have this kind of inter-generational blending, and we're seeing that in this film, where there is this sort of critical moment within the tradition of gospel music sort of this passing of the torch, if you will.". And I think the choir meant so much to those people because for a few hours on Sunday, they were royalty. As beautifully affecting and uplifting as nearly any narrative tale could be, but with a depressing undercurrent as harrowing as those final minutes of THE IRISHMAN.
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